Annie

Annie lights up Milton Keynes Theatre with stunning performances, breathtaking sets, memorable songs and a heartwarming story for all ages.
the milton keynes business improvement district logo is on a red background .
Joanne McClaren
A theatrical cast, including a man in a wheelchair and a girl with a dog, on a blue stage set with floating puzzle pieces.

There are some musicals that simply never lose their magic, and Annie is undoubtedly one of them.

Directed by Nikolai Foster, this much-loved production has arrived at the milton keynes theatre logo is blue and white with a red stripe .Milton Keynes Theatre, where it runs until Sunday 26 July, bringing with it nostalgia, plenty of heart and some truly outstanding performances.

Set in 1930โ€™s New York, Annie follows the story of an 11-year-old orphan who has spent her entire life hoping that one day her parents will return after leaving her at an orphanage as a baby. Tired of waiting, Annie decides to set out and find them herself. Standing firmly in her way is the delightfully wicked Miss Hannigan, whose dislike of the children in her care provides plenty of laughs throughout the show.

Annie's adventure takes an unexpected turn when billionaire Oliver "Daddy" Warbucks invites her to stay at his luxurious home as part of a publicity campaign. What begins as a temporary arrangement soon becomes something much more meaningful, as Annie's optimism and unwavering belief in the goodness of people gradually melts the heart of the hard-working businessman. Along the way, Annie finds herself caught up in a search for her birth parents, with a few twists, turns and plenty of emotional moments before discovering that family isn't always defined by blood.

One of the biggest stars of this production is undoubtedly the spectacular set designed by Colin Richmond. It is simply stunning. From the vibrant colours and intricate details to the incredibly smooth scene changes, every transition feels effortless. Whether you're in the orphanage, the bustling streets of New York or Daddy Warbucks' grand mansion, each location feels beautifully realised. Combined with Richmond's authentic period costumes, the production perfectly captures the era and creates a visually impressive experience from start to finish.

The choreography, created by Nick Winston, deserves equal praise. Every dance routine is packed with energy, precision and personality, making the ensemble numbers some of the highlights of the evening. From the playful chaos of the orphanage scenes to the polished performances later in the show, the choreography adds excitement and momentum throughout.

Musically, this production is exactly what fans of Annie will be hoping for. George Dyer's orchestration, arrangements and musical supervision are exceptional, breathing fresh life into these timeless songs while remaining true to the score so many of us grew up with. Hearing classics including It's the Hard Knock Life, Tomorrow and You're Never Fully Dressed Without a Smile instantly transported me back to watching the film as a child. The orchestra sounds rich and full, perfectly complementing the performances on stage.

Six smiling girls in colorful, theatrical costumes stand on a stage in front of a chalkboard listing "The Three Golden Sewing Rules."
Credit Paul Coltas
Young performers on a stage, some standing on sewing tables, with fists raised in front of a chalkboard listing 'THE THREE GOLDEN SEWING RULES'.
Credit Paul Coltas
Six costumed actors on stage. A girl in a red dress sleeps on a man's shoulder, a woman sits nearby, and three other actors stand behind them against a blue map backdrop.
Credit Paul Coltas
A young girl with red hair in a red coat sits on a suitcase, looking up at a woman in a teal dress and a bald man in a suit, on a blue stage.
Credit Paul Coltas
An older girl with pigtails sings, mouth open, on a stage bed with a younger girl leaning against her, wrapped in a blanket.
Credit Paul Coltas
A theatrical scene shows a man and a girl sitting together on a street-like set with a dog, surrounded by other characters.
Credit Paul Coltas
Six young performers in period clothing huddle around a wooden trunk on a dark stage with puzzle piece decorations.
Credit Paul Coltas
A dramatic stage scene shows a group of actors in ragged costumes on a dark blue set with hanging puzzle pieces, lit by strong blue spotlights. A young girl in an orange dress stands center.
Credit Paul Coltas
A stage production with a young girl in a red dress confronting a man in a dark suit, while other actors in period attire watch on a blue set featuring a large "W" and puzzle pieces.
Credit Paul Coltas
A man in uniform pulls a hand truck with a young girl dramatically lying on top of luggage, followed by a smiling woman in a grey suit.
Credit Paul Coltas
A vibrant stage production with actors in vintage attire on a set featuring a giant cartoon woman, an 'ON AIR' sign, and puzzle piece walls.
Credit Paul Coltas
A man in a tuxedo dances with a red-haired girl in a striped dress on a blue stage with floating puzzle pieces, surrounded by other performers.
Credit Paul Coltas
1/12

Leading the cast is Sophia Saravanan as Annie, who delivers an absolutely delightful performance. She possesses remarkable confidence for such a young performer, with an effortless stage presence that never falters. Her vocals are superb, capturing both the innocence and determination of Annie, while her natural charisma makes it impossible not to root for her throughout the story. She truly nails the role.

Claire Sweeney is outstanding as the infamous Miss Hannigan. She brings exactly the right balance of comedy, sharp timing and larger-than-life villainy to the role, creating a character that audiences love to dislike. Her performance is full of personality, and she commands every scene she's in.

Alex Bourne gives a wonderfully warm performance as Daddy Warbucks. Initially appearing as a businessman completely consumed by work, his gradual transformation as Annie enters his life is both believable and heartwarming. Watching his character soften over the course of the show is one of the production's greatest joys.

A special mention must also go to Marine Rae Warren-Baker as Duffy. Bursting onto the stage with boundless energy, she lights up every scene she appears in. Her enthusiasm is infectious and her performance adds another layer of fun to an already talented young cast.

And then there's Sandy. Annie's faithful canine companion makes several adorable appearances throughout the show and, unsurprisingly, steals a few hearts along the way. Every entrance was met with smiles from the audience, adding another layer of charm to this feel-good musical.

One of the things I enjoy most about productions like Annie is seeing such talented young performers take to the stage with incredible confidence. The standard of the child cast is genuinely impressive, and their professionalism, energy and commitment shine throughout. It's a reminder of just how much talent there is among the next generation of performers, and they play a huge part in making this production so enjoyable.

Overall, Annie is a fantastic production that balances humour, emotion and spectacular musical theatre with ease. The memorable songs, energetic choreography, stunning sets, beautiful costumes and exceptional cast all come together to create an evening that is entertaining from beginning to end.

Whether you grew up watching the classic film or are introducing Annie to your own children for the very first time, this production offers something for every generation. It's a wonderful trip down memory lane while remaining just as enjoyable for younger audiences discovering the story for themselves.

Expect plenty of laughter, heartfelt moments, unforgettable songs and performances that stay with you long after the final curtain falls. If you're looking for a feel-good family musical this summer, Annie at Milton Keynes Theatre is well worth booking.

Related

You might be interested in

Fork Knife
Restaurant

Pizza al Teatro

  • Fork Knife
    Restaurant
a table topped with plates of food and a glass of wine .